Like a Thread Through Many Beads

Theosophy arose in the late 1800s and quickly spread throughout the Western world. Its doctrines and mythology fascinated everyone from political revolutionaries to pulp authors. Its influence is still felt today, after nearly one hundred and fifty years.

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Artistic Aurae in H. P. Lovecraft’s “Pickman’s Model” and the “Pickman’s Model” Segment of Night Gallery; a Short Review

Distrust of technological and scientific progress, of Modernism, of Realism, et cetera: that sort of pessimism inhabits H. P. Lovecraft’s “Pickman’s Model,” the storyline of which expresses the wickedness engineered in the nightmare that it envisions, a world haunted by atrocities and fanaticism.

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Thoughts on Roger Corman’s The Haunted Palace; a Review and a Reflection

How about we celebrate Autumn and the descent of Winter with some spooky folklore, stories, books, and movies? Please permit me here to share with you my personal review of a movie I think is worth your time, particularly in the jack-o’-lantern hours of October: Roger Corman’s The Haunted Palace (1963), starring Vincent Price, based on and inspired by the works of Edgar Allan Poe and H. P. Lovecraft.

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Independent Author Spotlight: Glenn Rahman (Part Two)

“My brother and I visited the Providence Lovecraftian sites. These included the addresses of the still-standing Lovecraft residences and also the specific city sights that had inspired his stories. Significant among the latter was the church from “Haunter of the Dark” and the “burying grounds” featured in multiple stories, including The Case of Charles Dexter Ward.”

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Lord Dunsany: A Legacy of Myth and Wonder

Lord Dunsany spearheaded a new phase in the evolution of fantasy literature, telling mythic tales of awe and wonder. J.R. R. Tolkien, H.P. Lovecraft, Clark Ashton Smith, C.L. Moore, Henry Kuttner, Manly Wade Wellman, Fletcher Pratt, Arthur C. Clarke, Ursula K. Le Guin, Gene Wolfe, Neil Gaiman, Michael Swanwick and George R.R. Martin were all influenced by Dunsany to one degree or another.

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