Fantasy stories are typically set in either an imaginary world like Nehwon and Narnia or an imagined past like the Hyborian Age or Middle Earth. Then there is the Dying Earth genre which is set not only in the future, but at the end of Earth’s history.
Read MoreWhen you think of literary thieves, who do you think of? Aside from the crime genre, thievery as an occupation appears most often in sword and sorcery.
Read MoreHooked by the sixth paragraph of Jack Vance’s The Dying Earth, I devoured page after page and came at last to the Museum of Man, where in my imagination I stood with young Guyal of Sfere and Shierl, his lovely companion, gazing with horror upon a gigantic, hideous face that protruded from a wall. It was the demon Blikdak, and his intentions were dire.
Read MoreWhen authors of a certain genre tend to draw inspiration from like sources, it is not surprising that their work might yield similar results. This makes it quite noteworthy when a very different and unique idea emerges. Michael Shea is one of the authors whom I’ve always admired for having a fresh approach to weaving interesting, out-of-the-ordinary plots into his sword and sorcery tales.
Read MoreUK artist, Bruce Pennington, turns seventy-five years young today. Bruce has done loads of great art in the sub-genres of sword and sorcery/heroic fantasy, sword and planet and Dying Earth fiction. Right in the DMR Books wheel-house!
Read MoreLorn is part of a contingent of fighting men who have crossed the depleted continent of Khabor, sacking the remnants of once great cities under a black banner. This nameless city state is their final stop in a winding road of rapine and conquest.
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